Ken Saro-Wiwa
   The Living Memorial
   New Literature
   Events Calendar
   Ken Saro-Wiwa
   The Niger Delta Today
   The Wider Issues
   Get Involved
   Press Centre

Remember Saro-Wiwa is a coalition of organisations and individuals, initiated and co-ordinated by...


PLATFORM

and includes...

African Writers Abroad
Amnesty International
Christian Aid
Diversity Art Forum
English PEN
Friends of the Earth
Greenpeace
Human Rights Watch
Index on Censorship
International PEN
Mayor of London
Minorities of Europe
Anita & Gordon Roddick
South Bank Centre
SpinWatch

Remember Saro-Wiwa is supported amongst others by the Arts Council England

and by the Ken Saro-Wiwa Foundation

For more information about our donors and how to support Remember Saro-Wiwa click here.

Remember Saro-Wiwa is a partner of Africa05

The Living Memorial

Open Call for Ideas

NOW CLOSED
SIGN UP TO OUR MAILING LIST

 

The Living Memorial Concept
Refining Memory

The Shortlist
London's Cultural Landscape

INTERNATIONAL COMPETITION LAUNCHED 22 MARCH

DEADLINE 30 JUNE

The two Open Call meetings held in London on 10th and 24th May were attended by about 50 people in total, including artists, campaigners, journalists and arts managers.

A very good discussion took place which resulted in the following points and clarifications:

1) The brief is absolutely open to interpretation: there is no artform/media/style preference, BUT you must cater for the need - ultimately - for a permanent memorial, a permanent presence in the London landscape.

2) Reminder: submissions are by e-mail ONLY

3) Submissions must be three pages maximum:

i) 1-page on your idea, minimum of 400 words but you can include a visual on that one page if that helps. Inclusion of a visual does not mean your idea is automatically better. Do include any ideas on site, although we don't expect you to have all five temporary sites and final permanent site researched.

ii) 1-page on materials, budgets, practicalities.

iii) 1-page on you - this could be a CV, or something on your background with the issues (Ken Saro-Wiwa/Nigeria), basically a statement on you and your experience relative to this project.

4) If you are dyslexic or have other issues with writing, you can submit your ideas on audio tape, with negotiation with us. Please get in touch before doing this.

5) While we have translated the brief into Spanish and French, we can't cater for submissions in other languages than English. However, if this is a huge problem please get in touch.

Other News:
There are two panels which will undertake the selection process, a Shortlisting Panel and a Judging Panel:

Shortlisting Panel:
This specialist panel from the arts and the RSW Coalition will shortlist down to five finalists.

David A. Bailey, Panel Chair - RSW Curator.
Jane Trowell – RSW Education.
Mark Brown – art activist.
Michaela Crimmin – Head of Arts, Royal Society of Arts.
Manick Govinda - ArtsAdmin.
Dr Jane Rendell – Bartlett School of Architecture, University College London.
Dame Anita Roddick - Founder of the Body Shop, philanthropist and activist.
John Sauven – Director of Publications, Greenpeace UK.
Pauline de Souza – Director, Diversity Art Forum.
Ken Wiwa – writer, campaigner and Ken Saro-Wiwa’s son.

Judging Panel:
In November 2005, this high-profile panel will select the winner from the five shortlisted ideas.

Baroness Lola Young - Panel Chair
Augustus Casely-Hayford - Director of Africa05.
Michaela Crimmin
Alfredo Jaar - public artist and architect.
Lee Jasper - Mayor of London’s Advisor on Equalities and Policing.
Dame Anita Roddick
Jon Snow - presenter Channel 4 News.
Ken Wiwa


Download the Full Open Call for Ideas Here
in English - (PDF 132kb)
en français - (PDF 160kb)
en castellano - (PDF 172kb)

Open Call Brief
On 22nd March 2005 at City Hall, London, the Remember Saro-Wiwa coalition launched the Open Call for Ideas, the deadline for which is 30th June. The selection panel will announce 5 finalists in the first week of August. Each finalist will receive a fee of £1000 to work up their ideas, which will be exhibited from late October to late November. The winning idea will be announced as the centrepiece of the 10th anniversary events on 10th November 2005, and the applicant will be awarded a commission fee of £10,000. The production budget is up to £35,000, and the first siting of the piece is planned for early summer 2006. This process is being led by curator David A. Bailey with PLATFORM.

THE BRIEF: WHAT WE ARE LOOKING FOR
This is a unique commission: not only is its subject topical and activist, but it is also Britain's first deliberately mobile memorial. It will have the ability to be toured to up to six locations in London during 2006/7, while at the same time planning and securing its permanent home for installation in 2007/8.

Why "Living"?
In most people's minds a memorial summons up a conventional image of a statue, monument or plaque to those commemorated. These works can seem historical, looking back in time rather than putting across urgency and a sense of the future. The issues that Ken Saro-Wiwa fought and died for are as pressing today as they were then. The Niger Delta remains impoverished and polluted. The idea of a Living Memorial is to say that these issues are alive, that Ken and his colleagues did not die in vain, that their deaths mean something to us today and beyond. This "living" quality will be embodied in the winning proposal, and the whole project will be further animated by the 2-year programme of education work and publishing.

Why mobile?
We want the Living Memorial to be seen, felt, and discussed by as many people as possible in London and beyond. To this end, it will move between temporary sites across London, supported by an education programme. In this way the memorial engages with different communities and groups of passers-by, and builds an ever wider audience for the issues. A permanent site is sought however, so the piece needs to be conceived for the long-term. Your ideas on all possible sites are welcomed.

Issues the Living Memorial addresses
The winning piece will:

• summon up the spirit of Ken Saro-Wiwa's work, as writer and activist;

• focus attention on the ongoing reality of the struggle for social and environmental justice in lands upon which Britain depends, specifically the Niger Delta;

• reflect the cultural diversity of 21st Century London, and the interculturalism of global society;

• include elements of interactivity, challenging the viewer to be active and engaged;

• be flexible, ingenious and durable enough to be mobile and to be permanently located;

• not only remember the past, but help shape the future.

Media
Taking into consideration the question of flexibility, mobility, and durability, applicants should think broadly. We do not wish to limit media in the Open Call stage: it could be sculpture, light, sound, installation, text, multi–media and more.

Who can apply?
The competition is open to everyone, people from the arts, design, and architecture, as well as those from non-arts backgrounds. The creativity of activists and others are welcomed in this project, to honour the years of imaginative campaigning that has gone on around this issue. We are also interested in proposals from groups or people working collaboratively. It is an international competition, and will be networked via journals, the website, and internet lists. The briefing will be available in French and Spanish.

Living Memorial Timeline
22nd March: Launch of Remember Saro-Wiwa and the Open Call for Ideas.

10th & 24th May: "Open Call" Meetings: venue and times to be announced.

This is an opportunity for those submitting ideas to learn more about the project from curator David A. Bailey and PLATFORM. Material from these sessions will be published online.

30th June: Open Call for Ideas DEADLINE, 17.00 UK time.

July: Long-list of 20 selected

End July: Selection Panel judge 20, and decide shortlist of 5.

Beginning August: 5 finalists announced

Late October: Exhibition opens

Early November: Selection Panel interview shortlist

10th November: Winner announced as part of 10th Anniversary events

End November: Exhibition ends; Commissioning process begins

Early summer 06: Piece installed in first temporary site; first education project

THE SUBMISSION PROCESS
Submission for the Open Call stage is by e-mail only. Please do not send any attachments of images/artwork at this stage.

Your 3-page proposal should include the following:
1 page of a brief outline of your idea and why this project interests you, written in English.

1 page on the materials/media, and an outline budget of costs.

1 page synopsis of your CV or a statement about yourself.

The submissions are to be received by 17.00 (UK time), Thursday 30th June. Send Submissions Here

Download the Full Open Call for Ideas Here
in English - (PDF 132kb)
en français - (PDF 160kb)
en castellano - (PDF 172kb)

TOP

Remember Saro-Wiwa

 

Ken Saro-Wiwa

 

(c) Sophia Evans 2002. Children from the village of Akalu-Olu. The Italian oil compamy Agip is operating in the community. The oil facility is directly located in the village. Agip started oil production there in 1973. Villagers say there are no more bush, animals or fish left. Villagers also say there is blood in their urine. The extreme heat and noise are irritating. Their zinc roofs corrode within 3 months. There is malaria throughout the year. Gas flares are the only light villagers get to see with at night, as there is no electricity. There is also no running water. Akalu-Olu, in the Ahoada West local government area of Rivers State, Niger Delta, Nigeria, 11/11/2002.

 

(c) Sophia Evans 2002. Loveday Fomsi, an Ogoni man, looks into a polluted stream, formerly a drinking water source for locals. Fish abandoned all the nearby creeks many years ago. The oil company Shell never did much to clean up spills. Oil pipes leading from Bonny Island where the oil is exported burst every so often. Streams and creeks are polluted all over Ogoniland. Kpean, Ogoniland, Niger Delta, Nigeria 11/11/2002

 

(c) Sophia Evans 2002. Oil Companies all over the Delta are all invasive of people's surroundings and space. These people were once in charge of their environment living as hunters and fishermen. Abiteye, Warri Southwest, Niger Delta, Nigeria. 21/11/2002.

 

 (c) Sophia Evans 2002. Oil companies in the Niger Delta employ the Nigerian military to guard their facilities and escort workers on boats through the rivers and swamps. Travelling on the waterways of the Delta is extremely dangerous as unemployed armed youths kidnap oil workers and hold them hostage until cash is delivered. Abiteye to Escravos, Niger Delta, Nigeria, 22/11/2002.